This photo was taken with my DJI Mini 2 drone in Raw mode, converted to an Impressionist painting in Corel Painter 5, then post-processed in Nik’s Color Efex Pro to give it a wintery look and apply a frame.
These leaves had been floating on the water when it froze in a bucket in my yard, which made for a picturesque photo!
The photo was shot with a Pixel 6 Pro, the colours were deepened using Aurora HDR, and the Beach Bypass effect in Nik Colour Efex Pro was used to further enhance the image.
The photos for each panorama were taken by a DJI Mini 2 drone shooting in raw (DNG) format. ISO was fixed at 100 and the aperture for each photo was 2.8. Shutter speeds varied from 1/2000 to 1/3200 S. The photos were then post-processed in Luminar 4.
I’m partial to the monochromatic version myself. What about you?
I’ve been following drone technology closely since consumer-grade drones hit the market, but I waited for the sweet spot of good camera quality and relatively low price.
When I saw that the DJI Mini 2 was below $700 (CAD) and that it could shoot Raw and HDR I took the plunge, and I’m so glad I did. I really feel this will transform how I shoot many of my photos.
Here’s an example photo, shot just off Hwy 6 in Wellington county, Ontario. It’s a crop of a 7-photo panorama, cleaned up a little in Lightroom, and then further processed in Aurora HDR to give it some punch.
Here are three different versions of the same picture. Which do you prefer?
It’s so cool having a camera that you can position anywhere. It opens up a whole new world in photography for me.
The original of this photo had a lot more detail, but I liked the way it looked when I applied a “toy camera” effect to it and converted it to this shade of black and white.
Shot on a Nikon J2 back in 2014 with a 10-33 mm lens, f5.3 @ 1/400 @ ISO 100.
Revisiting an old photo from 2014. Shot on a Nikon J2 with Nikkor 10-33 mm lens, f5/6 @ 1/100 @ ISO 400 through the back window of the car I was riding in.
I’m not sure where the cows were or if the boy regularly takes the cows for a walk so they can eat elsewhere, but it was quite a unique photo opportunity!
It wasn’t a very clear picture which is partly why I processed it in this fashion, but I felt the black and white processing gives it a more nostalgic, timeless look.
Revisiting an old photo, this one from 2014. Shot on a Nikon J2, Nikkor 10-33 mm lens, f3.8 @ 1/15 @ ISO 1800. Further processed in Luminar 4 to replace the sky
I always have the annual Worldwide Pinhole Photography Day marked in my calendar, but sadly often miss it due to extenuating circumstances.
But not this year…
I started my journey in Port Robinson where I saw this abandoned bridge. I had the camera, a Nikon D750, mounted on a monopod which helped stabilize the 1.5 second exposure. I submitted this image to the Worldwide Pinhole Photography Day exhibit, even though I took some others that I also liked.
Moving to a path in the woods next to the bridge, I then took this abstract image of some small trees and bushes. It didn’t start out to be abstract, but a gust of wind hit me just as I was taking the 2 second exposure which resulted in the motion blur. Normally I would have deleted the image but in this case it worked!
Next I set out along some back roads looking for suitable scenes. This one suited me fine:
As well as this one:
Overall, I think it was a successful day. In past years I’ve gone out and maybe only had one photo I was willing to share. It’s a very hit-and-miss process because you really don’t know how they will look until you get back to your computer to look at them enlarged.
In my case though, the process is much easier than many other photographers because I’m using a digital camera with a pinhole adapter. Many other photographers use homemade cameras with film that of course makes the process much more complicated.
Here is the pinhole adapter that I used. As you can see, the adapter replaces the lens so the pictures are taken without a lens!
If you’d like to see other photos that were submitted by Canadian photographers, visit here.